Sometimes you work with somebody you've never heard of because you just feel like working.

I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.

I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.

Sometimes you work with somebody you've never heard of because you just feel like working.

Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.

If you call attention to yourself at the expense of the song, that's the cardinal sin.

You can go crazy and play solos in the right place, and that's great because it can intensify and bring an emotional lift. But the thing is you don't want to get in the way of the song.