I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.

What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.

Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.

I don't see my movies. I think it's healthier and safer to keep a bit of distance. I'm afraid to be disappointed.

I'm no longer interested in making political films. There's something old-fashioned about them. Young people now don't care for politics. It isn't present in life as it used to be. And increasingly I like films which reflect present-day reality.

I like to be in a huis clos, as the French say - in one place. It's something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!

Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.