I was born to be married. I just feel comfortable there. I love the idea of being partnered for ever. I love my girlfriend, we've been best friends since I was 18. There's not a thing we haven't been through except for marriage... We've had talks about what we would name our kids since we were in our 20s.

The thing about being on the majors, from the beginning, going into this, I was like, "I'm not going to be treated like a factory," because that's never the way it was done before. You're talking about a major label, we're talking about serious business; you're not an artist anymore, you're a business, you have to work in terms of product, you have to release a product, and I don't really think that way at all.

I love Vivienne Westwood. Her work is so interesting, you can always find something that's great and fits you.

I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."

The plus-size revolution that has been happening lately is incredible but it's also creating this "other" beauty standard in which you have to be an hourglass, you have to be super sexy and fierce about showing off your curves. That's quite frightening to me, and I don't fit in it, I don't want to fit it.

I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.

This archaic idea - that a woman who is unmarried and childless at 30 is somehow unnatural - will probably always exist, and, like most social standards, it is ridiculous.