I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."

Growing up as a chubby kid with a ton of imaginary friends and a Cyndi Lauper obsession, I learned about rejection early on and was constantly trying to avoid it.

With a stretch belt, anything can be a dress - a dinner napkin, a tablecloth, even a towel. Just wrap and snap, and away you go in an incredible outfit. Another plus is that the belt will pull all eyes to your lovely curves, and they even look good around a coat or a jacket.

Olympia was a town crawling with music. I was new to the whole punk scene. The culture shock continued; Olympia had bagels! We didn't have bagels in Arkansas. You could order vegetarian food all over town! It was so crazy to me - a place with so many vegetarians, the restaurants made special dishes for them?

I can take care of a house, and some people I meet, I think, 'You don't even know how to make a bed.

I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.

I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."