The consumer culture in general has washed over our civilization. For the last 50 years, if you've had a credit card and some access to money, you don't really need neighbors around you. And as a result, they dwindled. The average American has half as many close friends as they did in 1950. Three quarters of Americans don't know their next-door neighbor. They may know their name, but they have no real relationship with them. That's an utterly new place for human beings to find themselves in - I mean, we're a socially evolved primate.
Bill McKibbenIf we had about 100 years, that sort of slow cultural conversion would be exactly the thing to do. But physics is calling the tune here. We've got to respond to a timetable that physics has set for us.
Bill McKibbenWe believe that we live in the 'age of information,' that there has been an information 'explosion,' an information 'revolution.' While in a certain narrow sense this is the case, in many important ways just the opposite is true. We also live at a moment of deep ignorance, when vital knowledge that humans have always possessed about who we are and where we live seems beyond our reach. An Unenlightenment. An age of missing information.
Bill McKibbenThere's no happy ending where we prevent climate change any more. Now the question is, is it going to be a miserable century or an impossible one, and what comes after that.
Bill McKibbenIn the scientific community, the debate is over, for all intents and purposes, about whether or not the planet is heating and who is causing it. In fact, it's more or less been over since 1995.
Bill McKibbenWe, all of us in the First World, have participated in something of a binge, a half century of unbelievable prosperity and ease. We may have had some intuition that it was a binge and the earth couldn't support it, but aside from the easy things (biodegradable detergent, slightly smaller cars) we didn't do much. We didn't turn our lives around to prevent it. Our sadness is almost an aesthetic response - appropriate because we have marred a great, mad, profligate work of art, taken a hammer to the most perfectly proportioned of sculptures.
Bill McKibben