I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar

If you're going to establish a certain level of unreality than you have to deal with it

After that I jumped, especially being in art school, to the illustrators.

So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different

Nothing is really media driven or committee driven, so you can actually just produce something

So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe

Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.