To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach

But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube

To me, the technique was almost irrelevant; it was what was coming across.

But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it

I wanted to be complete, because I figured that, visually, there was an avenue to explore with painted stuff

And within the world that you've created, the physics of that world have to remain constant; they can't be amorphous and changing.

Nothing is really media driven or committee driven, so you can actually just produce something