We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.

The Passion of the Christ opened up on Ash Wednesday, had a Good Friday.

I'm a baby. I sleep like a baby - I'm up every two hours. And I think a lot. I worry a lot. I have great nights of no sleep where ideas come.

[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.

Every time I was with Sammy [Davis Jr.] it was like going to the show business museum because the stories were so extraordinary, and I didn't care if they were true or not after a while. ... I don't know if he really got high with Humphrey Bogart or not. It didn't matter because he was painting these fantastic pictures.

I don't like heights. This is why I stopped growing at fifth grade.

I have 40-something intros [that Davis Jr. did]; all are different, none of them happened. And it was hilarious.