By TV standards - I'm not comparing it to manual labor by any means - by TV comedy standards, it is the hardest job I will ever, ever have. There is nothing that could be harder. I mean, when you combine the amount of writing that has to be done - sharp writing - with the fact that you then take it to the street and improvise with both celebrities who have no idea what's going to happen and real people who are not actors or comedians who don't even know I'm about to talk to them... It's lightning in a bottle every time.

When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track.

Sometimes you go up to people who look totally normal and then you talk to them for a few seconds and you are like, Oh I better get out of this, because this person is a little mentally unbalanced, and they are not going to get a joke.

I have a medical condition, all right. It's called caring too much, and it's incurable. Also, I have eczema.

The camera guys can't mess up. God bless them, they hardly ever do. But they literally don't know what's going to happen next. None of us do. And it all has to come together and be funny.

I came back to New York after college like any number of struggling performers, and you just find that niche where you can have some sort of impact. And for me that turned out to be comedy.

If someone walks away from me, I just let them walk, and I move on to the next person.