Having a visual element to your band is a good thing.

Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

Most of the reggae awareness is still among music industry people and people who are already into all types of music.

Our skin colours may vary, but what's upstairs - there's certain things we've all got in common.

Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.

The blues is life itself.