The writing is what's most important to me.

Until I created my own shows, I had nothing but bad experiences on staffs.

I never went after character payments. I'm pretty much terrible at naming characters, so I usually name them after people I know.

You have to lean into the turn. On every creative aspect, you have to lean into what's working.

One of the things I'm proud of is my ability to change directions if something's not working.

I am done with the hour-long [true crime] shows: "She was a happy married wife. Everything was perfect. Until the trip to Aruba."

By engaging someone for five minutes, you can make them a lifelong fan.