I think FDR was very dashing and charming and debonair, and probably reminded her of her father. A great bon-vivant. He loved to party. He loved to sing. He loved to have fun. And he wrote beautiful letters, just as her father did, which - alas and alack - Eleanor Roosevelt destroyed. But she refers to his beautiful letters. And she was charmed by him.

Eleanor Roosevelt fights for an anti-lynch law with the NAACP, with Walter White and Mary McLeod Bethune. And she begs FDR to say one word, say one word to prevent a filibuster or to end a filibuster. From '34 to '35 to '36 to '37 to '38, it comes up again and again, and FDR doesn't say one word. And the correspondence between them that we have, I mean, she says, "I cannot believe you're not going to say one word." And she writes to Walter White, "I've asked FDR to say one word. Perhaps he will." But he doesn't. And these become very bitter disagreements.

I think FDR was very dashing and charming and debonair, and probably reminded her of her father. A great bon-vivant. He loved to party. He loved to sing. He loved to have fun. And he wrote beautiful letters, just as her father did, which - alas and alack - Eleanor Roosevelt destroyed. But she refers to his beautiful letters. And she was charmed by him.

I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.

Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.

In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.

One of the things for me, as a biographer, that is so significant is for Eleanor Roosevelt - the child who never had a home of her own, who lives in her grandmother's home and then goes to school and then gets married and lives in her mother-in-law's homes, and then in public housing (like the White House and the State House) - housing becomes for Eleanor Roosevelt the most important issue.