I don't think the sketch on its own is a great sketch.

I pretty much read reviews and comments only looking for the negative. Literally, when I read positive comments, it's like a zero. I think the issue is if you agree with it or not.

When you're 20 you can put a ton of old-age prosthetics on and be an old guy, but when you're 70 you can't play a 20-year-old.

With acting, if a friend asked me to be in a movie or TV show, there's a lot of things on my résumé I did without reading them or knowing what they were. I just said I'd do that because a friend wrote it, directed, produced, acted in it. With directing, I'm sticking to my guns, not that a lot of people are begging me to direct.

I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.

I honestly would tell anyone young to start looking at stories and learning story, because I think that’s the next step after people go, ‘OK, I’ve had enough of that improvisation, I’ve had enough of those short comedy bits. Tell me a story, tell me a more complex story, something that lasts and maybe has a little more meaning to it.’ Don’t ever look at what’s happening now; look at what’s coming next.

It's fun to discover things. I wouldn't want everything laid out, simply and too obviously.