I think it was just part of the storyline [in CSI: Miami] and the producer called me beforehand and said, 'Listen, I am going to kind of do something with your character that looks like she might get fired, but I just want to reassure you that we're going to have you back,' and I thought, 'Oh god, I hope that is true.'

It's all kind of just all of us coming together and all lending a hand on what we think will make it a good movie.

I think what it is a condition of human - of love. How important that is and integral that is too everybody even a ghost.

I am a huge fan of Gena Rowlands. I love that she is still working and always in something fresh and new.

Now we know more about it and we teach our children not to get into cars with strangers but back then it was you know people didn't really use to that mentality yet.

You know when you are doing a movie like [Ted Bundy] you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.