I think everybody knows that you know it's a stretch, but the good part of that though is since it's such a popular show [CSI: Miami] - all these CSIs - I have had a lot of people come up to me and say that they were going to go into that field.

I think what it is a condition of human - of love. How important that is and integral that is too everybody even a ghost.

I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.

Now we know more about it and we teach our children not to get into cars with strangers but back then it was you know people didn't really use to that mentality yet.

You know when you are doing a movie like [Ted Bundy] you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.

The main producer [of CSI: Miami] Ann Donahue - I believe that is how she started - and then we have one other man on set but that's just his job although I haven't seen him this year. So maybe they figure we have it down somehow.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.