I think that Jerry Bruckheimer just kind of has his finger on the pulse of what America wants.

There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.

I think that Jerry Bruckheimer just kind of has his finger on the pulse of what America wants.

Now we know more about it and we teach our children not to get into cars with strangers but back then it was you know people didn't really use to that mentality yet.

I think the universal theme would be love and relationships and how if you really want to live and be alive that that's proven through the amount of love you give and receive.

I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.

My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.