There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.

The main producer [of CSI: Miami] Ann Donahue - I believe that is how she started - and then we have one other man on set but that's just his job although I haven't seen him this year. So maybe they figure we have it down somehow.

I think it was just part of the storyline [in CSI: Miami] and the producer called me beforehand and said, 'Listen, I am going to kind of do something with your character that looks like she might get fired, but I just want to reassure you that we're going to have you back,' and I thought, 'Oh god, I hope that is true.'

It's all kind of just all of us coming together and all lending a hand on what we think will make it a good movie.

I grew up knowing about [Ted] Bundy because I grew up in Aspen and that is one of the places he kept escaping from. I remember one of the times he had escaped the Pitkin County Jail, my stepfather sat outside with a shotgun because everyone knew Bundy had escaped and so everybody was on alert.

I think as far as the Miami one - I don't speak for the other two - but as far as the Miami one goes, I just think that there is a level of like glamour to it and you see sexy people, things happening to the rich people. It kind of takes you to a different world. I think that is kind of part of the success.

I think everybody knows that you know it's a stretch, but the good part of that though is since it's such a popular show [CSI: Miami] - all these CSIs - I have had a lot of people come up to me and say that they were going to go into that field.