There are some wonderful parts in the movie [Loulou] where Loulou used to be a dancer and a cabaret. To see her kind of be able to interact with another human being so isolated for so long, it's just neat to see that being played out and how fun and explore that.

I guess I really enjoy movies that have to do with human conditions and maybe based a little bit more in reality, so I think I would say romance.

I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.

I think everybody knows that you know it's a stretch, but the good part of that though is since it's such a popular show [CSI: Miami] - all these CSIs - I have had a lot of people come up to me and say that they were going to go into that field.

I think what it is a condition of human - of love. How important that is and integral that is too everybody even a ghost.

The main producer [of CSI: Miami] Ann Donahue - I believe that is how she started - and then we have one other man on set but that's just his job although I haven't seen him this year. So maybe they figure we have it down somehow.

My character [in Ted Bundy] was unaware of all the murders that were being committed by him, so I kind of tried to keep myself out of it and kind of keep an innocent point of view from it. The hard scenes for me were the sex scenes just because there's like sexual deviance going on and there was stuff that he want her to do and that was really disturbing.