Speaking personally, I want my films to make money, but money is just fuel for the rocket. What I really want to do is to go somewhere. I don't want to just collect more fuel.

To make something really great and different and interesting means taking risks and following these ideas in your head.

Oh yeah, I'm still employed at Pixar and I love it here.

Ten-year-old boys move differently than middle-aged women, who move differently than athletic guys, who move differently than government bureaucrats.

Even in hand drawn animation, humans are widely considered to be the most difficult to execute, because everybody has a feeling for how they move.

I have three kids and a wife, and any moments that aren't dedicated to working on this film in some way, or family, are immediately reserved for sleep.

I absolutely think that hand-drawn animation is valid and I actually hope to do one in the future with a large budget.