I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.

I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

Gee, I certainly hope I'm not a scary person in real life. It's not like people run from me when they see me. People are usually pretty nice when they meet me. If they're scared, they keep their shuddering to themselves.

What got me excited to do Grima Wormtongue is when I was young I went through a period in boarding school were I was picked on alot. And there is something about Grima, he has been picked on when he was a kid, he (Grima) is so distrustful, he is so easily corrupted, He is so ugly, and he wants somebody, he wants to love somebody, and he can't, because nobody will have him.

I have a 13-year-old daughter who rents these bloody horror movies, and I can't even walk into the room when she's watching them with her friends.

Of course, I would like to play the guy next door, but nobody's going to hire me for that kind of role.