I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.

We all have an edge. We all are floating our psyche on top with a great ocean underneath.

I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

I am they type of person that once I make a decision, I must execute. Maybe I am a perfectionist in this way.

What got me excited to do Grima Wormtongue is when I was young I went through a period in boarding school were I was picked on alot. And there is something about Grima, he has been picked on when he was a kid, he (Grima) is so distrustful, he is so easily corrupted, He is so ugly, and he wants somebody, he wants to love somebody, and he can't, because nobody will have him.

I prefer film to the stage. I always like the rehearsal better than I like performing.

Of course, I would like to play the guy next door, but nobody's going to hire me for that kind of role.