Family comes first so I only have this specific window of time available to me and because of that I actually get more done.

For me a film is at its best when you can start filling in the story with your own life experience.

The best moments can't be preconceived. I've spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.

Indian cinema seems to be growing very well at its own pace.

By employing the intelligence of natural systems we can create industry, buildings, even regional plans that see nature and commerce not as mutually exclusive but mutually coexisting.

Plan B is really a little garage band of three people, and our mandate has been to help get difficult material, that might not otherwise get made, to the screen and to work with directors we respect.

I find all of my performances come down to mathematics in a sense - how do you approach the problem of this character? Sometimes I crack that problem, sometimes I don't.