Godzilla also represents the fear of nuclear annihilation, which was something that was big in my mind at the time. It was something that the people of this forthcoming generation haven't had to live with, but people around my age grew up with the idea that we could all be blown up at any minute. That's also what got me into hardcore music.

I think it's part of my personality, to find sex really interesting. Not just in the puerile way of, "Oh I want to go and have some sex". It's fascinating, there's an entire realm of human activity that's important and literally vital to our survival and yet we've vilified it. That's one of the reasons that religious station is so fascinating to me.

So it's a dangerous thing and conversely, the other thing I mentioned in that post was that people see guys who are kind of in touch with that and become famous for it and then think maybe they can get in on it. Maybe they're not quite as cynical as that and there's some sincerity about them, but they don't really get it so they just imitate what they've seen from people who've done it before and of course you can make big money that way.

I really thought Reagan was going to push the button and blow us all up. It was scary. So when they did the 1998 American Godzilla film, Hollywood didn't understand what Godzilla was.

It's sort of another innovation, probably a good innovation, of Western culture to separate the ideas between science and philosophy, but it's important to remember they weren't always separate realms of inquiry.

So he [Shoko Asahara] was insane but managed to convince a couple thousand people that he was enlightened. Western culture, which Japan is now definitely a part of, doesn't have an understanding of what Enlightenment is.

Zazen isn't about blissing out or going into an alpha brain-wave trance. It's about facing who and what you really are, in every single goddamn moment. And you aren't bliss, I'll tell you that right now. You're a mess. We all are.