Brenda Ueland Quotes

You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.

When you will, make a resolution, set your jaw, you are expressing an imaginative fear that you won't do the thing. If you knew you would do the thing, you would smile happily and set about it. And this fear (since the imagination is always creative) comes about presently and you slide down into the complete slump of several weeks or years - the very thing you dreaded and set your jaw against.

I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months. The thing to say to such people is: "See how *bad* a story you can write. See how dull you can be. Go ahead. That would be fun and interesting. I will give you ten dollars if you can write something thoroughly dull from beginning to end!" And of course, no one can.

Try to discover your true, honest, untheoretical self.

we like fixed rules because that ends thinking and we can rest. But there is no resting place down here.

Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.

Think of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers.

Now some people when they sit down to write and nothing special comes, no good ideas, are so frightened that they drink a lot of strong coffee to hurry them up, or smoke packages of cigarettes, or take drugs or get drunk. They do not know that ideas come slowly, and that the more clear, tranquil and unstimulated you are, the slower the ideas come, but the better they are.

Your motto: Be Bold, Be Free, Be Truthful.

The imagination needs moodling,--long, inefficient happy idling, dawdling and puttering.

... when I am really alone some power seems to grow in me. ... Conjugality made me think of a three-legged race, where two people cannot go fast and keep tripping each other because their two legs are tied together.

If you are never satisfied with what you write, that is a good sign. It means that your vision can see so far that it's hard to come up to it. Again I say - the only unfortunate people are the glib ones, immediately satisfied with their work. To them, the ocean is only knee-deep.

Duty should be a byproduct.

Don't think of yourself as an intestinal tract and tangle of nerves in the skull, that will not work unless you drink coffee. Think of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers.... Think if Tiffany's made a mosquito, how wonderful we would think it was!

Everybody is talented because everybody who is human has something to express.

Work freely and rollickingly as though you were talking to a friend who loves you. Mentally (at least three or four times a day) thumb your nose at all know-it-alls, jeerers, critics, doubters.

The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.

Now before going to a party, I just tell myself to listen with affection to anyone who talks to me... to try to know them without my mind pressing against theirs, or arguing or changing the subject. No. My attitude is: "Tell me more. This person is showing me his soul. It is a little dry and meager and full of grinding talk just now, but presently he will begin to think, not just automatically to talk. He will show his true self. Then he will be wonderfully alive."

To have the external pressure of a job removed is very astonishing. Your own will is now your only motor and it has no horse-power. Sometimes I think that perhaps the most competent business men, and lawyers and doctors, who must be at the office at nine o'clock every morning, do not realize this and take more credit for initiative and industry than they deserve. And it is why all the bright women of the world, who if more were expected of them, might do important work, but who instead have a chronic feeling of ineffectiveness and sloth.

If you would shut your door against the children for an hour a day and say: 'Mother is working on her five-act tragedy in blank verse!' you would be surprised how they would respect you. They would probably all become playwrights.

If I did not wear torn pants, orthopedic shoes, frantic disheveled hair, that is to say, if I did not tone down my beauty, people would go mad. Married men would run amuck.

So remember these two things: you are talented and you are original. Be sure of that. I say this because self-trust is one of the very most important things in writing.

The best way to know the Truth or Beauty is to try to express it.

I know that we live after death and again and again, not in the memory of our children, or as a mulch for trees and flowers, however poetic that may be, but looking passionately and egocentrically out of our eyes.

Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his *true* self and not from the self he thinks he *should* be.

... to paint with oil paints for the first time ... is like trying to make something exquisitely accurate and microscopically clear out of mud pies with boxing gloves on.

The tragedy of bold, forthright, industrious people is that they act so continuously without much thinking, that it becomes dry and empty.

Creative listeners are those who want you to be recklessly yourself, even at your very worst, even vituperative, bad-tempered. They are laughing and just delighted with any manifestation of yourself, bad or good. For true listeners know that if you are bad-tempered it does not mean that you are always so. They don't love you just when you are nice; they love all of you.

Unless you listen, people are weazened in your presence; they become about a third of themselves. Unless you listen, you can't know anybody. Oh, you will know facts and what is in the newspapers and all of history, perhaps, but you will not know one single person. You know, I have come to think listening is love, that's what it really is.

I learned...that inspiration does not come like a bolt, nor is it kinetic, energetic striving, but it comes into us slowly and quietly and all the time, though we must regularly and every day give it a little chance to start flowing, prime it with a little solitude and idleness.

it is when you are really living in the present-working, thinking, lost, absorbed in something you care about very much, that you are living spiritually.

We should all know this: that listening, not talking, is the gifted and great role, and the imaginative role.

Write a true, careless, slovenly impulsive, honest diary every day of your life.

Who are the people, for example, to whom you go for advice? Not to the hard, practical ones who can tell you exactly what to do, but to the listeners; that is, the kindest, least censorious, least bossy people you know. It is because by pouring out your problem to them, you then know what to do about it yourself.

You know, I have come to think listening is love, that's what it really is.

...writing is not a performance but a generosity.

Orthodox criticism ... is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.

... the spirit, I think, is a stream, a fountain, and must be continually poured out, for only if it is poured out will more and clearer streams come.

Remember William Blake who said: "Improvement makes straight, straight roads, but the crooked roads without improvement are roads of genius." The truth is, life itself, is always startling, strange, unexpected. But when the truth is told about it everybody knows at once that it is life itself and not made up. But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible--villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word

Know that it is good to work. Work with love and think of liking it when you do it.

But the great artists like Michelangelo and Blake and Tolstoi--like Christ whom Blake called an artist because he had one of the most creative imaginations that ever was on earth--do not want security, egoistic or materialistic. Why, it never occurs to them. "Be not anxious for the morrow," and "which of you being anxious can add one cubit to his stature?" So they dare to be idle, i.e. not to be pressed and duty-driven all the time. They dare to love people even when they are very bad, and they dare not to try and dominate others to show them what they must do for their own good.

When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.

And the true listener is much more beloved, magnetic than the talker, and he is more effective and learns more and does more good

Sometimes I think of life as a process where everybody is discouraging and taking everybody else down a peg or two.

Inspiration comes to us slowly and quietly . prime it with a little solitude.

It is only by expressing all that is inside that purer and purer streams come.

I readan article by a highly educated man wherein he told with what conscientious pains he had brought up all his children tobe skeptical of everything, never to believe anything in life or religion or their own feelings without submitting it to many rational doubts, to have a persistent, thoroughly skeptical, doubting attitude toward everything.... I think he might as well have taken them out in the backyard and killed them with an ax.

... the great artists ... do not want security, egoistic or materialistic.