There is behavioral ecology, which looks closely at the difference different ecologies make to behavior and other features of animals and humans. There's evolutionary individual psychology, there's evolutionary social psychology. In Darwin's terms, evolution couldn't exist without variation, and variation is important in behavioral genetics. And so on, and so on. There are so many instances in which evolution actually sharpens the precision, I think, with which one can find out the importance of differences. We're interested in differences as well as commonalities.

There's a young Danish guy who has done a lot of work from an evolutionary perspective, Mathias Clasen. Basically, his argument is we've evolved to fear the monstrous, to be very wary of large, unknown, life-threatening forces. In art, we can play with these things in ways that allow us to feel the intensity of the horror, but in "safe mode," if you like, detached from real consequences.

Social media takes time and careful, strategic thought. It doesn't happen by accident.

Scientists, to give them credit, do not think of the humanities in a negative way. It's the bureaucrats who want to cut costs who think, Well, here's something that's not booming at the moment, let's slash it.

Literature often gets taught nowadays as a record of the sins and shortcomings of the past. I see literature and the arts very differently: as essential to being human and to human progress, individual and collective.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

Social media is your opportunity to reach a massive number of people with transparency, honesty, and integrity.