I try my jokes onstage. The only way to really find out if something is going to work is to try it on stage, and I try to be careful and bookend something new with a strong bit before and a strong bit afterwards. But it's fun to run on virgin snow. I like that feeling onstage of creating new footprints and not knowing what's going to happen.

I took a speed reading course and my speed shot up to 43 pages a minute, but my comprehension plummeted.

I saw something in the store the other day that I don't understand: that peanut butter and jelly in the same jar. Is there a point to that? I mean, I'm lazy-but I wanna meet the guy who needs that. Some guy going, "You know, I could go for a sandwich-but, uh, I'm not gonna open two jars. I can't be opening and closing all kinds of jars. Cleaning, who knows how many knives!?"

I wasn't expecting to really draw in respected comedians but it's going to happen along the way and I'm truly honored by that.

I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.

"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"

I just tend to think about everyday things for my onstage act. Actually you know what I like to talk about just the absolute most - the more mundane the subject matter, the more interesting it is to me.