[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.
Brigid BrannaghI guess I just take things as they come now, as far as that goes. I get really excited to do the project, but I don't think too much beyond that.
Brigid BrannaghWhen I get excited about a character, I'll start doing things as the character and thinking about what the character would do.
Brigid BrannaghI like everything that has to do with ghosts. If I see it, I'm all over it. We all have our thing.
Brigid BrannaghMark Frankel was just a very tender, thoughtful person, and that was really nice. At that point in life, I hadn't met a lot of people my senior who were that tender, and still doing well and making a real go of it. That was a treat, for sure.
Brigid BrannaghI just adored Peter Medak, the director. He's such a character, but he was so much fun. Some directors come in and they truly get angry about things.Peter was still in a fantastic mood. He's a delightful person. He threw a big party at the end of the pilot, which was so sweet. And his wife is an opera singer. He's just a very warm, crazy beautiful individual.
Brigid Brannagh