When need something really aggressive, outrageous and not done half-way, I feel like I'm your girl.

I like everything that has to do with ghosts. If I see it, I'm all over it. We all have our thing.

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.

Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.

I worked a lot with Mark Frankel, and he was really just an incredibly tender soul. He liked his hair just so and his suit. He was a good-looking man, and he cared about looking together.

I grew up Irish Catholic with a bunch of kids at Catholic school.

Aaron Spelling kept trying to bring vampires about, and I feel badly that it happened so much later. He was ahead of his time, in that regard.