You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.

Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it's a spontaneity-killer.

I'll do more than the average actor, but I'm smart enough to know why stunt guys exist.

It'll die down like every other genre, but horror has always been one of the four or five main genres that will never go away.

As an actor, I look for the part itself. I look for the story and the role. If there's no money, but it's a good part in a good role, I'll still consider it. Basically, the worse the role is, the worse the story is, and the more they'll have to pay me. It's a simple correlation.

The Way I See It: If you're worried about getting a job-or keeping one-start a company of your own. By doing so, you'll reap the rewards of your hard work and you'll only get fired if you fail. This is the land of opportunity. Live in it.

Everybody's got brain matter in their hair, and somehow that makes it a very happy workplace.