You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.

I think none of the humor in the first Evil Dead was intentional. We weren't that sophisticated. We got more sophisticated with Evil Dead 2 and Army of Darkness where you can start to manipulate the audience a little more, having more control over the medium instead of just trying to figure out how to do it. I suppose that's pretty normal with any craft. Every carpenter is better 20 years later.

The happy medium is television. And if you find a good suitor, you can do it for years. With movies, you roll the dice. If people don't show that weekend, you're doomed. TV allows you to percolate a little bit, and it gives you a chance for people to find it.

All men think they're fascinating. In my case, it's justified.

If you have script problems and you don't fix them by the time you shoot, your script problems are now 40 feet tall.

The prospects were depressing: Adulthood meant that I'd have to stop having fun and do something I didn't really want to do for the rest of my life – which was apparently a considerable chunk of time.

Such is an actor's life. We must ride the waves of every film, barfing occasionally, yet maintain our dignity, even as the bulk of our Herculean efforts are keel-hauled before our very eyes.