I'm a synthesist. I'm always making music. And I make a lot of different kinds of music all the time. Some of it gets finished and some of it doesn't.

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Jack the Rabbit and Weak Knee Willie, you know they're gonna be there. Sloppy Sue and Big Bones Billy, they'll be coming up for air.

The artists we love, they put their fingerprint on your imagination, and on your heart and your soul.

If they had told me I was the janitor and would have to mop up and clean the toilets after the show in order to play, I probably would have done it.

"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.

...It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine.