I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.

I'm the kind of person, I think a lot about everything. Nothin' I can do about it. It's like, I'm a thinkin' fool. That's a big part of me.

Your legs were heaven, your breasts were the alter, your body was the holy land.

I'm laughing at you, you're laughing at me.

Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.

When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.

The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.