he beauty of this world [of comics] is there are so many stories to tell, and there's so many wonderful characters. Wonderful characters we haven't even begun to introduce - it's a world that is infinitely expandable.

The great thing about Gotham is it encompasses so many different worlds.

One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.

It's like an angel crying on your tongue.

When I've had hard times in my life, the one thing about being in TV is that it's positive. I withdrew to 'Cheers,' it was familiar in that it was family. It had a kind of realistic positiveness to it.

The evil of storytelling is you're trying to make the audience complicit in murder - 'Kill the guy! Jump him!' And then once you've done it, it's like, 'I've killed this guy, now what?

One of the challenges with series TV is not to give everyone all the punchlines, all the gags and all the fun stuff at the top. Everyone is so anxious, for very good reasons, to hit the ground running, but I've been on the other end of that.