When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.

I appreciate my role as an actor much more after I direct because it's just easier.

I want to make sure that what I do has specific purpose and is not just throwing a dart at something to keep busy.

[My father] had a massive middle-age breakdown. And left the family. And then it just completely fell apart. And my mother was heartbroken, just completely devastated. To make ends meet we started selling off all our possessions.

When I was a kid there were a very select few channels - programmes had to have more of a large appeal and they just didn't offer very much. Now you have a situation where the television world has expanded and there's hundreds of channels.

What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.

There's so many things that can go wrong in the execution of a project like a television show or a movie, so many little elements, any number of things, all the way to marketing - like they could market it poorly and nobody finds it and down it goes.