When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.

Being a day player, period, is one of the hardest things you can do as an actor.

What's great about comedy, obviously, is that you set up a situation that people assume one thing and then you break the assumption. That's basically the backbone to comedy. You set up a situation, let people make an assumption, and then you break the assumption.

The hardest work that actors have done, including myself, is on poorly written scripts. And when you first start out you do anything. I did a lot of crap. I did more crap than I can tell you. But you did it because you needed the money. You have to pay for your pictures and resumes, and classes and insurance and food like everybody else. In those days if it was crap you just didn't put it on your resume.

In order to be an actor you really have to be one of those types of people who are risk-takers and have what is considered an actor's arrogance, which is not to say an arrogance in your personal life. But you have to be the type of person who wants the ball with seconds left in the game.

I think it's not a question of why, more a question of why not.

I think the best-written films or television series have a measure of the opposite of what they are.