When actors first come up, you're auditioning for everything - you're trying to sniff it out like a pig with a truffle and you would do anything!

It doesn't matter if you're good. If you're just good, you won't succeed. If you have patience and persistence and talent and that's it, you will not have a successful career as an actor. The elusive thing you need is luck.

Given the right set of circumstances any one of us could become dangerous - so why not show that in our programmes?

I've done more crap than I care to remember. I really have. 'Airwolf.' 'Murder, She Wrote.' 'Amazon Women on the Moon.' But you learn from all these bad shows. What you don't want to do and what you don't want to be involved with.

I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.

The more you humanize superhero characters, the more they're relatable. The more they have a vulnerable point, whether it's emotionally or their superpower, or whatever, we relate the superpower or the loss of a superpower to their emotions. It's just fun to walk through that.

Had "Malcolm in the Middle" been picked up I would not have been available for the pilot of "Breaking Bad." And right now someone else would be sitting in this chair talking to you. Not me.