There's no point in making films unless you intend to show us something special, otherwise just go out and watch a play. Kubrick showed us something special. Every film was a challenge, and a direct assault on cinema's conventions.

The 3D, it changes the way you shoot in a way, especially when you're shooting live action 3D elements.

Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

I started making 8mm films when I was 13, so I've been directing for 21 years.

Perception has always interested me. The idea thatbehind every face, there are a thousand faces. Beneath the placidveneer of middle America, there lies terror.