If you give the actors a problem 'I'm not getting something out of the scene' and it's the writing, we just don't have the scene, if you give them the problem and just give them some key thoughts they can bring some great solutions to the equation too. So if it's just not perfect, or I'm not getting all I can, I'll open it up to them and say let's talk about it.

When you're dealing with shooting a lot of live action in 3D, you're committed to how much 3D you're giving the audience.

I love filmmaking, and I love the process. And I would rather do nothing else. It's a privilege to be able to paint such big pictures, so to speak.

We don't live in the world of reality, we live in the world of how we perceive reality.

I started making 8mm films when I was 13, so I've been directing for 21 years.

I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.

What we call 'evil' doesn't necessarily deserve any kind of respect or understanding, by any means; it just deserves an acknowledgement of its complexity so we can better understand it &#Array; so we can help prevent it.