Joe Wright is incredible and I'm a huge admirer of his work in general, but specifically his aesthetics and poeticism.

There was definitely a learning curve in terms of being on film, but being on a set was all good.

I felt very comfortable on a set - incredibly comfortable on a set, which is a real gift because that can be hugely intimidating.

I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.

I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.

I have nothing nice to say about Chris Pratt, of course. He's probably the greatest hero of our time in real life, honestly.

In the culture we live in, there's this pervasive, shared agreement that there's a certain body type to admire, and it isn't actually based on anything real or substantive.