The work that we do is so tricky because it rests on our shoulders, but it's also collaborative and part of it is trusting the people that you're working with.

I definitely hope that I'm improving. If I'm not, there's a problem - I'm just coasting.

The other thing I've been discussing with friends is: when you're born do you start at a zero, or five?

I was in South Africa, and Joe [Wright] asked the same exact question that you just asked: "Have you ever seen an episode of Black Mirror?" I went back and played the video for Joe. The episode that I did is called "Nosedive," and it was a year to the week from when I first watched it. It was just very bizarre, this very weird coincidence.

But, working with directors whose history is in performance, I feel like there's a different kind of focus, as opposed to directors who are more prone to being really technically proficient or visual. I feel like there are two schools of both, and a director needs to have both.

I struggle immensely with celebrities of all kinds. I get clammy hands and turn a little purple.

Where I'm like,"no, I won't have that piece of bread, I'll have the veg." There's a different approach mentally that you have when you're in a safe space. Our body awareness in the West is ridiculous.