'Brookline' was a very small film and it was only here for a very short time and I wasn't able to catch it.

This is a very pivotal time in America and I think families are still reeling from events depicted in that movie [The Big Short ].

Well I think the problem is, is that...what people don't realize is they're gonna get away from the people that they're marketing with now. They're tryna change everything about the format of the NBA, the imaging and everything. This is more about control you know what I'm saying? This has nothing to do with clothing. This is a control issue.

The top two for me are Spotlight and The Revenant [movies]. Everything says The Revenant, but Spotlight is special. I think this movie would have been a lot more jumpy and fast-faced if anyone else had done it. This movie is very unassuming in how powerful it is. It very calmly, and very cooly, eats you up inside. I think if there's anything that will upset the Revenant run, it's gonna be Spotlight.

Kate Winslet [for Steve Jobs movie, 2015] is the darling. If you wanna be the king you gotta kill the king. I think Charlotte [Rampling] is the dark horse on this one. No one does classic beauty better than her.

Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.

[Alejandro González Iñárritu] went from Birdman to this - these are incredible ledges that he's stepping out on in making these films [The Revenant]. I think his only threat for best director is Room, to be honest.