Turkish society is divided not only culturally but also politically. You're either conservative or progressive. Islamist or secular. Right wing or left wing. This kind of division can be seen in any society, but in Turkey, the problem is that we are losing any kind of connection between groups and any kind of desire to understand one another. The groups hate each other and they are demolishing all bridges between themselves. So society is divided strictly.

Laughter is something we have against oppression and oppressive people. Dictators hate people who laugh at them. It's easy for them to destroy people who resist them. But if you create jokes against them, write funny poems or articles against them, then they feel helpless and desperate. They can't do anything.

I believe Tunisia and Egypt should look to Turkey and see what not to do. Turkey seems to be a secular and democratic country but it is only a show. We are losing the effectiveness of democratic institutions like parliament and judiciary. They now are turning into tools for the benefit of a president-ordering system. A democratic government is possible only on a comprehensive democratic base surrounded by the participatory action of ordinary people.

We have to consider culture respectfully, but on the other hand, it's dangerous. When we begin talking about cultures, we begin forgetting about individuals. Every individual is unique. Mankind has common feelings and ideas, but we might have some other connections, too. For example, I might be very close to someone in New York in some way. Because of the music I like or how I like to watch soccer games, or because I like to read Russian classics.

Turkey are the independent people. We are our own nation in this world - a nation of writers, journalists, artists, moviemakers, and academics. We act together. If there is a problem, we act to correct it.

I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.

The way I wrote it is a nice and enjoyable way to write stories, to pretend to say something when you're really saying something else. "Hey guys, come, I'll take you a football match." They all come - and you suddenly take them to watch theater play on the stage instead. In Istanbul Istanbul, I pretend to talk about torture and politics, but I don't actually. Instead I talk about hope and hopelessness, darkness and light, good and evil, love and separation.