I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.

Maybe divisions like that are easy for people to accept, because then you don't have to make an effort to understand people or appreciate each of them. You just give them a general name: "black people" and "white people." "Tall people" and "short people." "Man" and "woman." But we have to forget about all those terms. Every individual is unique in herself or himself.

Some people are like a defeated warrior: they accept the defeat, go to work, go back home, watch TV silently. That is like a prison. You can have a life sentence in prison and it's the same in cities.

We have to consider culture respectfully, but on the other hand, it's dangerous. When we begin talking about cultures, we begin forgetting about individuals. Every individual is unique. Mankind has common feelings and ideas, but we might have some other connections, too. For example, I might be very close to someone in New York in some way. Because of the music I like or how I like to watch soccer games, or because I like to read Russian classics.

When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.

Turkey are the independent people. We are our own nation in this world - a nation of writers, journalists, artists, moviemakers, and academics. We act together. If there is a problem, we act to correct it.

I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.