It's a bit questionable whether Turkey is a model country or not, since our government is supporting ISIS in Syria, since there are legislations that are not in line with democratic rules.

Without any hope you cannot talk about suffering. If you talk about suffering without hope it's enjoying our euthanization. I tried to avoid euthanization enjoyment.

People feel that the beauty of the Istanbul is something we used to have in the past or something we will have in the future. But we have that beauty today, too, in the mixture of past and future. We have to save it today and we have to enjoy it today.

When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.

When people are not in a prison cell they believe they are free and happy. That's not true. Because in Istanbul, the modern person wakes up at 5 o'clock or 6 o'clock in the morning, gets on the bus for two hours to get to work, works at least ten hours, sometimes twelve or fourteen, then comes back home, just to make some money to pay for rent and food. That's not a human being's life. That's the life of a worm in the earth. That's the life of an insect.

It's a bit questionable whether Turkey is a model country or not, since our government is supporting ISIS in Syria, since there are legislations that are not in line with democratic rules.

When you go from one part of the Turkish community to another, it's like you're moving from one century to another. People look at each other in a strange way, as if looking at someone from another planet, rather than trying to understand and open space for them.