For me, it would be very difficult to express an opinion about our times without humor. I don't think you could do that.

Daily life is both the subject and environment of the work I am making.

Whether I'm at home and researching online or whether I'm in the studio just drawing, I think I'm more interested in practical research - discussing with other people, trying to find the exact formula of putting things on the canvas, what is the consistency of paint that works best.

I felt like if I was on Facebook, I would probably spend my days looking at people's profiles, seeing what they do, and feeling bad about not working enough.

In a way, the political cartoon drawings are things that are small and have humor and a childhood aesthetic and are often stronger to spread an opinion.

For me, it's really important that the experience of art is always something that is able to provoke strong emotion, an emotion that you feel in your heart or your stomach, but also that challenges the brain at the same time. It's an experience - physical and intellectual.

A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.