I'm really happy that people are starting to hear my band, and we are so happy to be conduits for all this other happiness, and this emotional response. So, I can't be like, "that doesn't matter to me, I'm an artist, I exist apart from that!" But on the other hand, if you buy into that too much, you're setting yourself up... if I start thinking, "well, people at the show really liked one song, maybe I should write more songs like that," then I'm in trouble.

One thing I've always been proud of is that vicious dichotomy between the pretty controlled, angular playing of the band, and my - I don't want to talk about myself as a 'wild man' or anything, but I have trouble staying on the beat.

Ten people who are into our music is better than three hundred people who are just standing there.

You don't expect people to go, "music has just been reinvented!" But the hope is that people won't say, "this is the most boring cliché." I mean, that's one of my pursuits, is trying to not become a cliché, or get stuck in that. But even that's a cliché in itself! It's difficult! But I think it's worth it.... It's a real vicious circle there.

An acceptance of your cultural inheritance, and at the same time a dislike of it, is a building block of good art.

Tour is disgusting, actually, I have no idea how people do it. Your brain would go to rot, unless you really, really worked hard at making sure it didn't.

It's like, symbolic language, the way that people approach dense poetry... it always bugs me, because that approach suggests that it's like a mystery novel, and that if you can put together the clues, you can come up with one singular answer.