One thing I've always been proud of is that vicious dichotomy between the pretty controlled, angular playing of the band, and my - I don't want to talk about myself as a 'wild man' or anything, but I have trouble staying on the beat.

I'm really happy that people are starting to hear my band, and we are so happy to be conduits for all this other happiness, and this emotional response. So, I can't be like, "that doesn't matter to me, I'm an artist, I exist apart from that!" But on the other hand, if you buy into that too much, you're setting yourself up... if I start thinking, "well, people at the show really liked one song, maybe I should write more songs like that," then I'm in trouble.

Tour is disgusting, actually, I have no idea how people do it. Your brain would go to rot, unless you really, really worked hard at making sure it didn't.

People are intended to resist symbolic interpretation, as well. At times, they break through - there are little hints of 'this song is about this,' but if you were to come here and be like, 'well, I've got the lyrics right here, let's go through 'em,' that wouldn't really work!

These are things that I continue to enjoy speaking about. The woods. Boats. Greeks. I think the real heart of it, is really being in love with these Dutch paintings over the last several years.

I find listening to music in terms of influences, and trying to keep up with what's going on, is sickening! I mean, I'm not deliberately musically illiterate. But I have a pretty serendipitous approach to it.

Live is best. You have movement, and I think we should do as much as we can to put that sense of movement in the recorded music.