We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.

It's sort of cheesy to introduce that to the drums - those dings and dongs and bell sounds. That's definitely one of the reasons people are like 'oh yeah, they sound like Tom Waits, with those trashcan drums.' But at the same time, it sounds so good! And it introduces this... I mean, it's not tuned, but somehow it adds this extra layer of melodic texture.

I find listening to music in terms of influences, and trying to keep up with what's going on, is sickening! I mean, I'm not deliberately musically illiterate. But I have a pretty serendipitous approach to it.

The whole idea of civilization as an understandable narrative is a bit nuts. It's the most problematic of delusions.

An acceptance of your cultural inheritance, and at the same time a dislike of it, is a building block of good art.

It's like, symbolic language, the way that people approach dense poetry... it always bugs me, because that approach suggests that it's like a mystery novel, and that if you can put together the clues, you can come up with one singular answer.

We hate our heroes, you know. That's one of the great things about this whole deconstruction thing - there's no more heroes. It's always been there, you just look at people's reactions, and when the good guys are skunks, those parts stick with us.