I think in the old days, the nexus of weirdness ran through Southern California, and to a degree New York City. I think it's changed so that every bizarre story in the country now has a Florida connection. I don't know why, except it must be some inversion of magnetic poles or something.

I'm sort of fascinated by America's fascination with rednecks, the whole Duck Dynasty thing. Being a white guy from the South, I find it amazing that so many TV viewers are enchanted by beards, bad dentistry and moonshine accents.

The Thieves of Manhattan is a sly and cutting riff on the book-publishing world that is quite funny unless you happen to be an author, in which case the novel will make you consider a more sensible profession-like being a rodeo clown, for example, or a crab-fisherman in the Bering Sea.

The evening news made her wonder if God was dead; the morning sun made her believe He wasn't.

I never laugh or smile when I am writing. When I come home for lunch after writing all morning, my wife says I look like I just came home from a funeral. This is not bragging. This is an illness.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

My books are character-driven. They're not driven by the story.