It's a very difficult age when the forces of time want to destroy us and take us away. They're just snatching people like devils; death comes and grabs each of us.

I assume the senses crave sources of maximum information, that the eye benefits by exercise, stretch, and expansion towards materials of complexity and substance, . . . conditions which alert the total sensibility - cast it almost in stress - extend insight and response, the basic responsive range of empathetic-kinesthetic vitality.

I don't even like the word 'relax'! If I have a partner and we make love a lot, then I'm in a very pure state of being.

Be stubborn and persist, and trust yourself on what you love. You have to trust what you love.

It's a very difficult age when the forces of time want to destroy us and take us away. They're just snatching people like devils; death comes and grabs each of us.

I grew up doing farm work, and there's a deep connection between the demands of farming and the demands of art creation. My sense of space and material has a lot to do with having been a chicken-killer and working with cows.

I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.