I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.

Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.

Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.

Success will come. Or it won't. But I think you can only make a go at it in a big way by fully being yourself and taking risks. People can feel risks.

No one goes to BrooklynVegan to read about content, they just go for drama. It's a tabloid, the scum of indie.

When you meet someone, a friend, who's living out on the road, or living semi-homeless, or leading their life in a radically different way, it makes you think about your own life in a really critical way and feel completely disoriented.

Don't say yes to everything. Learn how to say no, because people respect a no.