Success will come. Or it won't. But I think you can only make a go at it in a big way by fully being yourself and taking risks. People can feel risks.

I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.

Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.

Everyone in our generation lives in a world where you're surrounded by all sorts of music all the time. People's tastes are made of combinations of genres.

When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"

Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.

The music industry has completely restructured itself in the last couple of years because it hasn't been making money. Labels are signing bands they trust as artistic entities, instead of cash cows. They're signing bands because they believe that the bands have tastes beyond anything they could concoct themselves.