To be a fan is to be curious, and to be curious is to have openness... Part of being a fan is to allow 360 degrees of experience - to immerse without judgment. It's like a really fearless step forward into new experience. There's something that feels very timeless about fandom.

Wholeness is sort of a dubious concept. Because in terms of the human body and literal wholeness and structures, you think: "here are the structures that help make me whole." Family, or school, or the city I live in. When those structures are dysfunctional or decaying, you end up kind of Frankensteining pieces from everywhere in order to make yourself sated and comfortable and alive.

There are foods you should avoid. For me, sugar is a no. Because it gives me a spike and then a crash.

Twitter is sort of version of labeling, except with 140 characters instead of a labelmaker. It's the way of calling things out for what they are, wearing badges. Twitter is like the new Scarlet Letter.

People give the words life through their own adoration or relationship to the work, and that's true of everything. You can't divorce critical or fan reaction. Once it exists, you forget that the words are arbitrary, or you start to remove value.

It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.

There was this kind of wackiness that was really embraced and put on a pedestal. It was before the millennium. We were envisioning a future that was mostly idealistic. I think that came crashing down a little bit in 9/11, or a lot. There is something about Portland that does seem to still exist in this total idealistic world and total idealistic mind frame, and I think that's what Dream of the '90s is talking about.